The Most Important Exercise For Learning Jazz

If you want my help getting started with Jazz, then check out The Weekly Deep Dive PDF
https://www.patreon.com/posts/143524876

Even great players struggle with this — turning exercises into real music.
Michael Brecker called it “sounding silly,” and Chris Potter showed how to fix it.
This lesson teaches you to integrate every pattern into a musical context so what you practice finally sounds like jazz.

LINK TO VIDEO
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  • Stop Sounding Mechanical — Learn the secret difference between an exercise and real phrasing.
  • Play Everything Like Music — Add rhythm, space, and melodic intent to every pattern.
  • Transform Practice Into Sound — Use Brecker’s and Potter’s methods to connect drills into beautiful solos.

50+ PAGES LESSON TRANSCRIPTION CONTENT:
+ all lesson examples are transposed to the Tenor, Alto and Concert keys and bass clef 
+ all released lesson manual material are available in all 12 keys

In this tutorial
00:00 Patterns Made Him The BEST EVER
01:30 THE MOST IMPORTANT THING ABOUT PATTERNS
03:12 1235 Patterns on a II V I
03:47 Patterns Make Your EARS LAZY
05:13 Don’t Play Patterns You Don’t Use
05:50 Adding New Patterns
07:08 Do you like my videos – Get More Inspired on Patreon
https://www.patreon.com/posts/143524876

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Video links:
Chris Potter Practices This Everyday – Stop Wasting Time https://youtu.be/8K5K-9yMxxI
https://www.patreon.com/posts/139213081
https://sorenballegaard.dk/product/chris-potter-practices-this-everyday-stop-wasting-time/

Lesson Manuals – Check This Link
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Solo Manuals Check them here
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My setup:
Tenor saxophone: Selmer MKVI 82xxx
mouthpiece is an old Otto Link Babbit – refaced from opening 6 to opening 8/8,5
Alto – The Martin Alto
Soprano – Yanagisawa Elimona