Chris Potter – Pat Metheny: How to Play What You Hear in Your Head

Practicing modes is just not the most musical or efficient way to learn jazz improvisation.
Modes get in the way of learning the actual structure and real sound of the songs you are playing.
Practice this instead

LINK TO VIDEO

DOWNLOAD PDF + get access to 3000+ pages of learning material

50+ PAGES LESSON TRANSCRIPTION CONTENT:

-scale exercises taking you through the most important scale forms
-licks integrating the scale forms adding the sound into phrases
+ all lesson examples are transposed to the Tenor, Alto and Concert keys and bass clef 
+ all released lesson manual material are available in all 12 keys

In this tutorial

00:00 II V I – What You Must Practice For Soloing
00:25 II V I Explained
01:45 Hear What You Play
02:49 Next Step – Arpeggios
03:39 II V I Scales
05:00 Don’t Sound Like An Exercise
05:30 The Secret Step – But very important (12 keys)
07:14  Do you like my videos – support me on Patreon
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Video links:

Every Jazz Beginner Needs These 4 Scale Exercises
https://youtu.be/D1B_jLVHlQw
https://www.patreon.com/posts/96348200
https://sorenballegaard.dk/product/every-jazz-beginner-needs-these-4-scale-exercises/

 

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Solo Manuals Check them here
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My setup:
Tenor saxophone: Selmer MKVI 82xxx
mouthpiece is an old Otto Link Babbit – refaced from opening 6 to opening 8/8,5
Alto – The Martin Alto
Soprano – Yanagisawa Elimona