Chris Potter has such a refined link to the great heroes of jazz, John Coltrane, Michael Brecker, Charlie Parker and the likes.How Chris Potter mixes the different inspirational streams into ...
Them The way Coltrane plays on minor chords should inspire us all.I show you how Coltrane uses enclosures and really nice sounding extensions on minor chords.I get around how Coltrane ...
The information found in John Coltrane’s playing can keep you busy for ages. I have taken out a few of my favorite Non Bebop Coltrane licks and dug out the ...
4 note jazz licks are probably one of the most important tools for your jazz solos.The 4-note jazz licks fit perfectly into the most common 4/4 bar.In this video I ...
Working on double time playing is nothing different than playing “normal” 8th notes, you just need to do it. In this video I give easy and clear practice examples taken out ...
Coltrane and the blues is an amazing cocktail. I analyze and explain how Coltrane plays such clear and beautiful lines when playing the blues. We dig into different embellishments on ...
Some say that Giant Steps is the most difficult tune in the world. It is not – it is just unfamiliar! Let’s get cracking at the Giant Steps changes and ...
Why playing outside is not complicated. Boiling the idea of playing outside down to adding one minor chord. And why Coltrane, Brecker and Potter sound amazing when they play outside. ...
COLTRANE + PARKER – BEBOP LICKS YOU NEED TO KNOW Learning by copying your heroes is so important. John Coltrane and Charlie Parker are two of my great heroes. One ...
COLTRANE THE BEST BEBOP 3 Coltrane Bebop Licks Explained John Coltrane was a young musician caught in the magic of Bebop as played by Charlie Parker and Dizzy Gillespie in ...
The most important melodic Coltrane structures – explained and how to use John Coltrane is one of the most amazing saxophone players in history. If you sound half as good ...
I think a lot of you will agree with me that listening to Coltrane is amazing. We probably all have one or more periods of time in Coltrane’s playing where ...
