Chromatic Enclosures are a huge part of the jazz language. Barry Harris teaches us bebop chromatic enclosures.Chris Cheek is going all in on chromatic enclosures.Learn the technical exercises behind enclosures ...
How a simple Cmaj7 chord is linked to so many more functions than being a tonic function. Learn to use your known standard major7 licks in new ways. Apply the licks ...
Sonny Rollins is an iconic player and saxophone hero.We can learn everything about sound, articulation, phrasing, rhythm and amazing jazz lines when listening to Sonny Rollins.Check these three solos is ...
There are so many uses of the pentatonic scale. From really simple modal playing to superimposing chords on changes.Beginning simple – taking you in a modal mode like Miles Davis ...
The rhythmic concept in how Chris Potter plays arpeggios is really worth checking out.How the rhythm of the arpeggios adds so much value to the lines Chris Potter plays.Realizing that ...
Modern Jazz and bebop is linked together – there is no doubt about this.All the great players of today have all studied bebop relentlessly. The step to take you closer to ...
The use of triads is an amazing way to access both inside and outside playing.The easy shape of the triad, with only three notes, is a super great way to ...
4 note jazz licks are probably one of the most important tools for your jazz solos.The 4-note jazz licks fit perfectly into the most common 4/4 bar.In this video I ...
Working on double time playing is nothing different than playing “normal” 8th notes, you just need to do it. In this video I give easy and clear practice examples taken out ...
Coltrane and the blues is an amazing cocktail. I analyze and explain how Coltrane plays such clear and beautiful lines when playing the blues. We dig into different embellishments on ...
Learning by listening and transcribing is probably the best way to learn jazz. But how do you do it?Going into the great solo of Hank Mobley on Dig Dis, using ...
Why playing outside is not complicated. Boiling the idea of playing outside down to adding one minor chord. And why Coltrane, Brecker and Potter sound amazing when they play outside. ...
Transposing music into different keys is such a big part of music. The keys are like different colours and give each a completely different impression.Learn to transpose the easy way. ...
JAZZ IMPROVISATION 7 STEPS TO LEARN FASTER When practicing music there are definitely no shortcuts, only ways to practice better. In this video I go through the best and fastest ...
SCALE FUNCTIONS – PRACTICE LIKE THIS IS MORE EFFECTIVEHow to connect your technique to your playingGetting inspired by my technique, yes it is fun to be able to execute. I ...
OVERTONES – DO THIS AND GET THE BEST SOUNDPractice overtones and get a much richer sound and better tone controlOvertones make your sound richer. You want to have a rich ...
GET THE SOUND OF THE TRITONE SUBSTITUTION Getting new sounds into your vocabulary is sometimes difficult. What should you play and how should you get on with it. One of ...
6 easy ways to apply alterations to dominant chordsAlterations is a great part of jazz music. Learning to play outside and play the hip notes is a “must” when you ...
These 5 Tips Will Save You Years of PracticeIn this video I will go over 5 practice shortcuts I did not have when I started out as a jazz saxophone ...
The Best Thing About The Blues Scale And How To Use ItThe blues scale is a super great and flexible tool you can apply in any key and almost anywhere. ...
RHYTHM CHANGE – HOW TO EXPAND THE CHORD SCHEME Add the 6th dominant chord to a simple rhythm change scheme Rhythm change is a great chord scheme to play. All ...
In this video I give some exercises and examples in how to improvise over a minor II-V-I using the diatonic 7th chords. I will focus on the minor II-V-I of ...
In this video I get around the minor II-V-I in minor and explains how you can use the diatonic triads when you improvise. Eø7 – A7(b9) – Dm6. I call ...
This video lesson explains the basic scales and chords used over a minor II-V-I – Am. The minor II-V-I consists of three different scales, one on each chord of the ...
In this video lesson I talk about the different 7th chords on a II-V-I in Dmajor. I start with the scale of Dmajor, the scale has two sharps with the ...
In this video I talk about how to use diatonic triads in Gmajor. Further i present the triads in the Gmajor scale and a II-V-I in G. Diatonic triads is ...
This lesson describes a way to get diatonic approach notes into your playing by guiding you through certain exercises and progressions. It also gives you some prefabricated licks you can ...
