Advanced, Alterations, Chords, II-V-I, Intermediate, Learning methods/inspiration, Minor, Music theory, Scales, Tier 5

Master Dominants in Minor – 3 Solid Strategies

Some basic standard progressions are just more difficult to get a great sound out of. 
Choosing between different dominants when going to minor is a challenge you need to be up to.
You really need to get down the sound that secures your playing.
Here are 3 bullet proof strategies – how to sound great on dominants in minor.

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LESSON TRANSCRIPTION CONTENT:
50+ pages full exercises and licks
-Variations on dominant scale exercises
-II-V-I licks with various dominants resolving to minor
-all exercises and licks are transposed to all 12 keys
+ all lesson examples are transposed to the Tenor, Alto and Concert keys.

In this tutorial
00:00 Master Dominants in Minor – 3 Solid Strategies
00:15 The Key Change Challenge
00:55 Hear the Key change
02:35 Dominant alteration b9,b13
03:28 Altered Dominant to minor
04:11 Look for the special notes
05:09 Do you like my videos – support me on Patreon
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Video links:
Unlock The Modern Sound of the Altered scale https://youtu.be/8LmBe1ktICg
https://www.patreon.com/posts/79135267
https://sorenballegaard.dk/product/unlock-the-modern-sound-of-the-altered-scale/

The Solo Exercise to Master Dominant Chords https://youtu.be/eIBfm_ZIzrg
https://www.patreon.com/posts/76273291
https://sorenballegaard.dk/product/6-most-important-chord-substitutions-for-blues/

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mouthpiece is an old Otto Link Babbit – refaced from opening 6 to opening 8/8,5
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Soprano – Yanagisawa Elimona